Comps by Adrian Bagley

So after three years of being told almost daily that the only way to prove your worth and measure your ability against the world as a photographer was to enter competitions. I did. I get it, I understand why they exist but it just goes against every reason why I picked up a camera. If I wanted to live in London and have people tell me how great I am at something I would have moved there along time ago. Every time I leave Cornwall for more than a day or two I desperately want to come home especially if I can’t see the coast. Maybe it’s an age thing. I have travelled the world in my younger years and been fascinated by different cultures and incredible sights but all it really made me realise is that I don’t need to travel to be fulfilled and to be happy. I could spend several lifetimes here in Kernow without getting bored or feel the need to leave the county. I find the most interesting, creative and kind people live at the end of an island next to the ocean.

So I entered three competitions, not quite the holy trinity but some of the ones I remembered from my lectures the last few years and then proceeded to forget about them until one by one I received an email from each telling me my images had been shortlisted and asking for the chosen pictures in higher resolution. I was kind of winging it I guess, having not taken any pictures with the competitions in mind but it was a good feeling knowing that some people who are important in the photography industry enjoyed my work and wanted to see more of it.

The image that was shortlisted for Wildlife photographer of the year 2026 was my least favourite of those I submitted. I had just added it to make up the numbers and justify the entry fee. It was of starlings of course and I remember the shoot with low light and mizzle not being my finest moment with a camera, still they wanted it. Now here came the problem. There are some very strict rules with WPOTY and some crazy stories about how winning entries were found not to be natural animal behaviour. One dude got an amazing shot of an ant eater only to be exposed for using a dead stuffed animal to get his winning picture. So any kind of staging or image manipulation is a big no no and I absolutely agree with that. Now I very rarely remove anything from an image in post apart from maybe the occasional dust spot from my sensor. (Im not lazy you get a lot more dust spots if you take pictures of storms). While I do look at levels and of course occasionally crop its highly unusual I would want to take anything from a scene away but on this occasion and well after I had handed it in I remembered that I had actually removed a tiny tree from the skyline that would have looked ok if it was still there so when they asked for larger files, that was that, no further advance on Wildlife photographer of the year, as it would clearly say on the pictures meta data that I had taken it away.

The second comp I entered was Landscape photographer of the year and my crazy seascape just didn’t quite cut the mustard for them. They sent me a graph showing me just how many thousand pictures I had beaten to get to where I was placed, but still no cigar.

The final competition was the London camera exchange Photographer of the year 2026. I was highly commended for this one and made it into their winners book.

Im pleased I had a little bash but I do not feel the need to enter any more competitions.

The winter that just kept on giving! by Adrian Bagley

Well, where do I start. I have not blogged for ages, do people still even blog or read blogs? I guess the cool kids are all still blogging and just trying to get money for it using words like community on substack. So Im being truly retro here by doing this. I have been trying to spend less time on screens before skynet enevitibly goes live and after binning my photography Facebook and Tik Tok accounts I'm one step closer to my dream of only having this webpage to occasionally connect with the on line world after spending the rest of my time outdoors.

We all experience things differently, that’s something I have learned throughout my time and although some are calling this last winter “one of the best they can remember” etc, with the Atlantic although almost constantly active. When it was when big, it was pretty messy most of the time. Great for those who ride smaller waves but on those rare occasions when the planets align and the conditions are firing (and there were many this winter) in my own eyes there was always something missing. Maybe I was just in the wrong spot but when you stare at the ocean as often as I do and keep a record of any better than average days you start to notice patterns and although there were many times I stood on the shoreline laughing out loud at how incredible the surf was their was no day of days, no 10 out of 10s just alot of strong 8s.

Despite no day of days, I believe my photography is becoming more in tune with my inner vision and I am finding it easier to show how I feel with the camera as opposed to what I see. Something I have always strived towards and for a long time did not think was possible. Im growing more confident in my use of black and white images too. Believe me if I wasn't so hideously colourblind I would be shooting in colour but I dint see the world in that way so I choose to look at tones, contrast and light and leave the colours to those who can see more than three primary colours when looking at a rainbow. I know black and white wave and surf photography is not for everyone and not cool in most of the mags but that’s not where I want to be anyway.

My favourite part of the last few months has been meeting some truly inspirational people. Mostly surfers, some of whom I have been watching from the sidelines for many years.

Ive got a really exciting exhibition coming up in a couple of months. I will add more about that later. In the meantime here are a couple of pics from the wave season just past.

OFF SEASON by Adrian Bagley

Photobook Pre-orders. UPDATE: ALL 75 COPIES OF THE FIRST FULL RUN SOLD OUT. THANK YOU THANK YOU THANK YOU XX

I recieved my first few copies of Off season from the local printers just last week and they have all gone straight away.

I have to keep one aside for my final project hand in but i am already putting a pre order list together for the next run.

I would like to thank everyone for their support, photobooks are not cheap and i really appreciate each and every person that spends their hard earned money on anything i create.

Please either pm me for details, go onto my Etsy store or just hit the “shop” part of this website to join the pre orders for the second run.

Time for change. by Adrian Bagley

When you dedicate months of you time to a project, it becomes part of your being, an obsession. It’s a constant roller coaster of emotion, with so many highs and lows. I still have a deep urge to be out all the time looking for moments, birds , tying to bring my ideas to life. But the world has already changed. The mornings are lighter, the days are warmer and there are visitors again in places that only a few weeks ago seemed abandoned.


So much of my life the last few months has been running out of the door at a moments notice when the light has been perfect. OFF-SEASON

OFF-SEASON Update: by Adrian Bagley

Meeting with an old friend to discuss artwork for OFF-SEASON and listen to his thoughts on presentation for my final show. John is one of the most creative people i know and i feel very blessed to be able to ocassionally ask his advice.